Granfergo
and
Stony Sugarskull
Tickets £10.00 in advance / £12.50 at the door
doors at 7:00 pm
(get your online-only discount codes from the bands to save 15%)
tickets link- https://shop.camden-live.com/product/tickets/nov-24th-2021-stony-sugarskull-granfergo/
Line-up:
Stony Sugarskull
The most distinctive thing about the Berlin-based hypnotic psych punk band is Monika Demmler’s unique vocal style and transcendent delivery: a collage of dreamy, playful, innocent, ironic, clever, with earnest, spiritual psychedelia thrown in - a kind of detached arty Velvets thing happening.
Granfergo
Inspired by the sights and sounds of many years of travel, the music of globetrotting trio Granfergo is rooted in South American psychedelic chicha, African funk, American surf rock and modern day soul. The result is an earthy, funky, cinematic harmony of soaring guitar melodies, rumbling bass riffs and groove-driven percussion. Granfergo is formed of brothers Euan Dean on guitar and Adam Dean on bass. The lineup was completed in 2020 when they enlisted their former schoolmate and fellow Devonian Joe Hayles-Cotton on drums. The group strives to achieve a blending of styles from various places around the world that would not ordinarily be found together. Among their many influences you will find not only funk, soul and rock music but also film soundtracks, sampled electronic music, and some of the most obscure musical gems from every era and every corner of the globe.
Juliet and Nanette
Juliet & Nanette have fashioned a sound and practically their own sub-genre. It is based on Juliet’s jazz-infused piano style and Nanette’s rich, lyrical cello playing, topped off by Juliet’s smoky, heartbroken voice. The songs tend to be characterised by a large portion of melancholy both in the rueful qualities of the melodies and the generally tragic themes of broken relationships that dominate their lyrics.
Sally Rushbrook & The Soothsayers
Sally Rushbrook's is a music that has forgotten its own age. Distinctly old in style, these songs draw influence from folk, gypsy jazz and barroom blues. Yet, this music seems as contemporary as ever it might have done when Sally uses these influences to craft narrative songs around characters with unmistakably modern preoccupations.